October 1998

Is experimental writing just something you grow out of?

Read what P.K.Dick Award-finalist Lance Olsen has to say about postmodernism, encouraging new writers, and the state of the small press in our exclusive interview.


Update

NEWS

Congratulations to the winners of the 1998 BRITISH FANTASY AWARDS, which were announced at Fantasycon XXII on Sunday 13th September 1998, at the Posthouse/Albany Hotel, Queensway, Birmingham, UK:
   BEST NOVEL (The August Derleth Fantasy Award): Light Errant by Chaz Brenchley.
(Also nominated were The House on Nazareth Hill by Ramsey Campbell; Mesmer by Tim Lebbon; Polgara the Sorceress by David and Leigh Eddings; and Signs of Life by M.J. Harrison.)
   BEST ANTHOLOGY/COLLECTION: Dark Terrors 3 edited by Stephen Jones and David Sutton.
(Also nominated were Chronicles of the Round Table edited by Mike Ashley; Midnight Never Comes edited by Barbara and Christopher Roden; Scaremongers edited by Andrew Haigh; and The Wake by Neil Gaiman.)
   BEST SHORT STORY: "Wageslaves" by Christopher Fowler (from Destination Unknown edited by Peter Crowther and Secret City: Strange Tales of London edited by Stephen Jones and Jo Fletcher).
(Also nominated were "Even Beggars Would Ride" by Peter Crowther and James Lovegrove (from The Third Alternative #13 edited by Andy Cox); "Family" by Geoff Ryman (from Interzone #127 edited by David Pringle); "The Lost Boy Found" by Terry Lamsley (from Dark Terrors 3 edited by Stephen Jones and David Sutton); and "The Word" by Ramsey Campbell (from Millenium edited by Douglas Winter).
   BEST ARTIST: Jim Burns.
(Also nominated were Bob Covington; Les Edwards; Josh Kirby; J.K. Potter; and Dave McKean.)
   BEST SMALL PRESS: Interzone edited by David Pringle.
(Also nominated were Peeping Tom edited by Stuart Hughes; Tanjen Press edited by Andrew Barker; The Third Alternative edited by Andy Cox; and Samhain edited by John Gullidge.)
   SPECIAL AWARD (Karl Edward Wagner Award): D.F. Lewis.
   BRITISH FANTASY AWARD (awarded by the BFS committee): Ken Bulmer.

Entries are invited for the THE HERB BARRETT AWARD FOR SHORT POETRY IN THE HAIKU TRADITION, with cash prizes of £37:50, £25 and £12:50. The winning poems will be published in an anthology to be published by Mekler and Deahl of Hamilton, Ontario. Poems must be no more than 4 lines long; they may or may not follow the traditional 17-syllable form, but should be in the haiku tradition: what is most important is that each haiku be a concise image of life. Entries will be judged for originality, haiku style, content, and technical mastery.
   Poems may be published or unpublished, and must be in English or accompanied by an English translation. Manuscripts must be typed or printed, one poem per page, on letter-size paper, with no identifying marks. Name, address, and phone number, with titles or first lines, should be on a separate sheet of paper. Each entrant will receive one copy of the anthology, and copyright and all rights other than publication in this anthology remain with the author.
   Entry fee: £5 for 1-2 poems; £7:50 for 3 or more poems. Payment by cheque made payable to "Mekler and Deahl, Publishers" must accompany your entry, which must be postmarked by November 30, 1998 and sent to The Herb Barrett Award, Mekler and Deahl, Publishers, 237 Prospect Street South, Hamilton, Ontario L8M 2Z6, Canada.
   Send £4 for a copy of Cold Morning, the anthology of prize-winning haiku from the 1997 contest, including the winning poem by Giovanni Malito (Cork, Ireland).

Mekler and Deahl have also announced THE ACORN-RUKEYSER CHAPBOOK CONTEST, for which the first prize is publication and £50. Entries should be typed manuscripts of up to 30 pages, comprising published or unpublished poems, and should be within the tradition of literary populism, as exemplified by the work of Seamus Heaney and Tony Harrison. The results will be announced in spring 1999, with the author of the winning manuscript receiving a cash prize of £50, plus fifty copies of the chapbook, to be published in Canada under the UnMon Northland imprint by Mekler and Deahl.
   The entry fee is £5, payable to "Mekler and Deahl, Publishers", and your entry must be postmarked by October 31, 1998. All entries will be returned after the winning chapbook is published, and all entrants will receive a copy of the winning chapbook. Please address entries to: The Acorn-Rukeyser Chapbook Contest, Mekler and Deahl, Publishers, 237 Prospect Street South, Hamilton, Ontario L8M 2Z6, Canada. Picking the Stones, the 1997 award-winning chapbook by Linda Rogers, is available from Mekler and Deahl for £4.

Meanwhile, Mekler and Deahl have announced a third contest, THE SANDBURG-LIVESAY ANTHOLOGY CONTEST, for poems of any length up to 80 lines, again within the tradition of literary populism as per Heaney and Harrison. First prize is £50 and second prize is £25, while all winning poems will appear in the anthology to be published by Mekler and Deahl in the USA under the UnMon America imprint.
   The £5 entry fee (payable to "Mekler and Deahl, Publishers") covers up to 10 poems, and your entry must be postmarked by October 31, 1998. All entrants will receive a copy of the anthology, with entrants with poetry in the anthology receiving one additional copy. Winners will be notified in spring 1999. Please address entries to: The Sandburg-Livesay Anthology Contest, Mekler and Deahl, Publishers, 237 Prospect Street South, Hamilton, Ontario L8M 2Z6, Canada. Sing for the Inner Ear, the anthology of 1997 award-winning poems, is available from Mekler and Deahl for £8.

Writers who are eligible for the JOHN W. CAMPBELL AWARD FOR BEST NEW WRITER now have a web site to post their name and qualifying publication.
   The John W. Campbell Award is presented each year at WorldCon. Nominees are authors whose first professional publication (a story in a magazine with more than 10,000 circulation, or a novel) has occured in the last two years. Writers with 1997 or 1998 first pro publication dates are eligible for the 1999 award at AussieCon Three next summer.
   To visit the web site or to learn how to be included on it, set your browser to
http://www.sff.net/campbell-awards.
   For more information, send e-mail to jwcawards@aol.com.


CHANGES OF ADDRESS

THE GILA QUEEN'S GUIDE TO MARKETS has moved its website to http://www.geocities.com/Athens/Aegean/7844/gila/index.html.

You can now reach THE EDGE at 65 Guinness Buildings, Fulham Palace Road, London, W6 8BD (tel [unchanged]: 0181 741 7757; e-mail [unchanged]: houghtong@globalnet.co.uk; website [unchanged]: http://www.users.globalnet.co.uk/~houghtong/edge.htm).

Implosion Publishing, the people behind the magazines IMPLOSION, BLOODSONGS and JUGGERNAUT, have moved yet again, this time to Implosion Publishing Inc., 1921 E. Colonial Dr., 2nd floor, Orlando, FL 32803, USA (website [unchanged]: http://www.implosion-mag.com).


CLOSED OR MISSING

John Bradt is closing the ezine SPECULATIVE FICTION & BEYOND due to poor health and financial hardship. He's now concentrating on his own writing, and also offering a critique service for other short fiction writers. For further information, contact John at 1072 Foothill Blvd, Santa Ana, CA 92705, USA (e-mail: johnbradt@aol.com; http://www.sfbeyond.com).

Mail sent to the address given in the current Light's List for DRAGON DREAMING (Carol McCord, 36867 Shoemaker School Rd, Purcellville, VA 20132, USA) has been returned to sender, but gives a new address of 173 Mile Ridge Est., Lebanon Church, VA 22641-1934, USA (thanks to Pamela Jørgensen in Alderney for this news).


MagazinesReceived

AABYE #A, A5, 56pp, £3:75 (3/£10; outside UK 3/£13) from G. England, 20 Werneth Avenue, Gee Cross, Hyde, Cheshire SK14 5NL (e-mail: newhope@iname.com; http://www.nhi.clara.net/nhihome.htm). First issue of Gerald England's new poetry magazine, which takes over from his long-running New Hope International Writing after a long period of ill-health and subsequent early retirement. Contributors to this issue include Martin Bennett, Peter Clack, Alan Hardy, Bernard Jackson, Anthony Lawrence, D.F. Lewis, Dan Pugh, K.V. Skene, Steve Sneyd, Patience Tuckwell, Mason West, and Mark Wilmot.

ALBEDO 1 #17, A4, 44pp, Ir£2:95 (4/Ir£10; UK 4/£10; Europe 4/Ir£16/$24; r.o.w. 4/Ir£20/$30) from Albedo 1, 2 Post Road, Lusk, Co. Dublin, Ireland (e-mail: bhry@iol.ie; http://www.iol.ie/~bobn). Sporting a smart new two-colour cover, this issue of the Irish SF/F/H magazine offers fiction by Colin Greenland, Trevor Mendham, Jeff VanderMeer, Robert Neilson, David Murphy, and Donna Taylor Burgess, plus an interview with Norman Spinrad.

BLANKSPACE August 1998, A4, 12pp, enquire to David Stewart, 43 Eglinton Road, Dublin 4, Ireland (e-mail: dstewart@iol.ie). The newsletter of Science Fiction Ireland, with reviews, news and developments with a particular emphasis on film- and TV-related SF.

CARPE NOCTEM #13, A4, 84pp, $5 (6/$20; Canada/Mexico 6/$30; r.o.w. 6/$34) from Carpe Noctem, 260 S. Woodruff Avenue Suite 105, Idaho Falls, ID 83401, USA (e-mail: submit@carpenoctem.com; http://www.carpenoctem.com). A slickly-produced exploration of dark culture, including interviews with Clive Barker, Storm Constantine, Neil Gaiman, painter Robh Ruppel, musicians Lisa Gerrad & Peter Bourke, funeral historian Dale Seuss, the bands Tappin the Vein, Thanatos and Human Drama, and comics writer Steve Seagle, plus plenty of reviews, and adverts for gothic/necro/S&M-inspired clothing, jewellery, artwork, music and other accessories and esoterica.

ENIGMATIC TALES #2, A5, 104pp p/b, £3 (4/£10; Europe 4/£12; USA/Canada 4/$20) from M. Sims, 1 Gibbs Field, Bishops Stortford, Herts CM23 4EY (http://www.magician.force9.co.uk). Supernatural ghost and horror stories by new and established authors, plus reprints of rare tales from the past. This issue features fiction by Rhys Hughes, R.E. Vernede, Allison Cologna, Simon Bestwick, Colin Pink, Nellie K. Blissett, Paul Finch, Alan Austin, John Davis, and L.H. Maynard & M.P.N. Sims, and poetry by Steve Sneyd.

EYE #17, A4, 60pp, $3:95 (6/$14; Canada 6/$20; r.o.w. 6/$36) from EYE, 301 S. Elm Street, Suite 405, Greensboro, NC 27401-2636, USA (e-mail: lisa@eyemag.com; http://www.eyemag.com). Articles and underground research on pop culture, music, technology, TV and film, fringe culture, and bizarre science, this time looking at the mysteries of Lake Espantosa in Texas, the history of mayonnaise in American deli culture, the insanity of asset forfeiture, and the new art form of skinhanging.

THE GILA QUEEN'S GUIDE TO MARKETS #96, A4, 36pp, $8 (12/$34; Canada 12/$38; r.o.w. 12/$50) from Kathryn Ptacek, P.O. Box 97, Newton, NJ 07860, USA (e-mail: gilaqueen@worldnet.att.net; http://www.geocities.com/Athens/Aegean/7844/gila/index.html). Six-weekly writer's and artist's market magazine covering fiction, non-fiction, poetry, comics, magazines, trade journals, book publishers, small press, greetings cards and many other markets, with an emphasis on those that pay. Different issues target particular market sectors, and this issue brings part one of 'Science Fiction, Fantasy and Horror'.

HANDSHAKE #31A, A4, 4pp, free for SAE from J.F. Haines, 5 Cross Farm, Station Road, Padgate, Warrington WA2 0QG. A bumper special issue of SF poetry written to commemorate the centenary of H.G. Wells's The War of the Worlds, with work by Steve Sneyd, Neil K. Henderson, Cardinal Cox, L.A. Hood, Andrew Darlington, D.S. Holme, John Light, Richard Lung, and K.V. Bailey.

IMPLOSION #9, A4, 64pp, $4:95 (4/$14) from Implosion Publishing, 1921 E. Colonial Dr., 2nd floor, Orlando, FL 32803, USA (e-mail: dave@implosion-mag.com; http://www.implosion-mag.com). A glossy colour exploration of all things highly unusual, this issue featuring Genesis P-Orridge, the Streetwalkin' Cheetahs, the Genitorturers, and travel in Pakistan, plus fiction by Jordan Ramin and Judith Downey, reviews, and other oddities.

JUGGERNAUT #2, A4, 64pp, $3:95 (4/$10) from Implosion Publishing, 1921 E. Colonial Dr., 2nd floor, Orlando, FL 32803, USA (e-mail: juggernaut@implosion-mag.com; http://www.implosion-mag.com/juggernaut.html). New magazine covering the full range of extreme music, including death metal, hardcore, industrial, noise, and free jazz. This issue features Tura Satana's Tarrie B., The Gathering's Anneke van Giersbergen, Fear Factory, Type O Negative, Brutal Truth, Crowbar, and Pitchshifter, plus news, reviews and gig reports.

KIMOTA #9, A5, 84pp p/b, £2:50 (4/£9) from Graeme Hurry, 52 Cadley Causeway, Preston, Lancs PR2 3RX (e-mail: g.hurry@virgin.net; http://freespace.virgin.net/g.hurry/kimota.htm). Horror special issue with fiction by Peter Crowther, Paul Finch, Trevor Mendham, Suzanne J. Barbieri, David Sutton, Kim Padgett-Clarke, D.F. Lewis, Stephen Bowkett, Derek M. Fox, Christine Goody, Dominic Dully, Jason Conway, Mark Gale, Steve Savile, and Peter Tennant.

NAPARTHEID #23, A4, 52pp, 300 pesetas from Napartheid (Kukuxumusu), Marcelo Zelaieta Karrika, 75.AA1 aretoa, 31014 Iruñea, Spain (e-mail: info@kukuxumusu.com). Pro-quality magazine of comics and features in the Basque language, which takes a wry and anarchic look at internet culture.

NEW HOPE INTERNATIONAL REVIEW Vol.20 #3, A5, 64pp, £3:75 (3/£10; outside UK 3/£13) from G. England, 20 Werneth Avenue, Gee Cross, Hyde, Cheshire SK14 5NL (e-mail: newhope@iname.com; http://www.nhi.clara.net/nhihome.htm). NHI Review is always packed with handy reviews of hundreds of small press items, primarily poetry-oriented, many of which you won't have read about before. There are separate sections for artefacts, books, cassettes, CDs, magazines, newsletters, software, and videos, with a directory of publishers' e-mail addresses. This is the final printed edition of NHI Review, as all future output will now appear solely on the NHI Review website at http://www.geocities.com/Athens/Oracle/1735.

NEW YORK REVIEW OF SCIENCE FICTION #119 and #120, A4, 24pp, $3:50 each (12/$31; Canada 12/$36; r.o.w. 12/$44) from Dragon Press, P.O. Box 78, Pleasantville, NY 10570, USA (http://ebbs.english.vt.edu/olp/nyrsf/nyrsf.html). Essays, reviews and topical comment for the SF field from a ten-time Hugo award nominee. Issue #119 features pain and memory in the art of John Crowley, Gwyneth Jones on tribal utopias, Jack Dann and John Clute on The Silent, Leland Neville on Bernard Werber's Empire of the Ants, Brian Stableford on the Nebula Awards 32, and Joe Sanders on pain and relationships in Michael Bishop's Unicorn Mountain. #120 is a special 10th anniversary issue in which Chip Delany takes on the system, and the NYRSF staff indulge in a special nostalgia bash which spans dysfunctional apartments, errant mushrooms, monolithic aesthetics, gossip, and the magic of Pop-Tarts.

NOTES FROM OBLIVION #35, A4, 3pp, free for SAE or audiotape correspondence from Jay Harber, 626 Paddock Lane, Libertyville, IL 60048, USA. Relating his on-going combination of neurological disorder and environmental illness to something he heard on a recent radio programme, Jay considers why female doctors seem at first not to be as megalomaniacal as the males, and why this may not be true after all.

NOT ONE OF US #20, A5, 52pp, $4:50 (3/$10:50) from John Benson, 12 Curtis Road, Natick, MA 01760, USA. Horror and dark fantasy exploring the concept of 'otherness' from every fictional angle with stories by Robert Krawiec, Ceri Jordan, Robin Lochlann Spriggs, Patricia Russo, Michael Gillis, Leonard Jansen, Dan Crawford, and Thomas Deja.

PUCK and CLF NEWS (no issue no. or date), A4, 28pp, enquire to Brian Clark, 433 S. Cleveland St #3, Moscow, ID 83843, USA. Before Brian Clark sold up and moved to Idaho, Puck was the house journal of his Permeable Press imprint. This is apparently the final issue, and incorporates the latest newsletter from Dan Pearlman's Council for the Literature of the Fantastic (CLF), in which Clark was also heavily involved. CLF content includes market news and loads of reviews of recent LF publications, while there's also new fiction by Carol MacAllister and Steven J. Frank, essays on the fantastic, and an interview with Michael Arnzen.

RAW NERVE #7, A4, 56pp, £2:50 (7/£15) from Darren Floyd, 186 Railway Street, Splott, Cardiff CF2 2NH (e-mail: darren.floyd@virgin.net; http://freespace.virgin.net/ana.k/rawsite.htm). More stories of decadent lust, razor blades and extreme hedonism from Gary Greenwood, Jane Fell, James R. Burkes, D.F. Lewis & Stuart Hughes, Pamela Stuart, Adrian Hardinges, Paul Chidgey, Julian Haines, and Douglas Brewis, plus an interview with Iain Banks.

SCAVENGER'S NEWSLETTER #175, A5, 28pp, $2:50 (12/$17; Canada 12/$20; r.o.w. air 12/$26; r.o.w. surface 12/$17) from Janet Fox, 519 Ellinwood, Osage City, KS 66523-1329, USA (e-mail: foxscav1@jc.net; http://www.cza.com/scav/index.htm). Monthly newsletter for SF/F/H/mystery writers and artists with an interest in the small press. Market news, letters and reviews from USA, UK and elsewhere, plus an interview with writer and Urbanite editor Mark McLaughlin.

THE THIRD ALTERNATIVE #17, A4, 60pp, £3 (4/£11; Europe 4/£13; USA 4/$22; r.o.w. 4/£15) from TTA Press, 5 Martins Lane, Witcham, Ely, Cambs CB6 2LB (e-mail: ttapress@aol.com; http://members.aol.com/TTALDyer/index.html). "Extraordinary new fiction" from Conrad Williams, Roberta Murphy, Joel Lane, Steve Rasnic Tem, Alexander Glass, Jason Frowley, and Jeff VanderMeer, plus an interview with Christopher Priest and a feature on David Lynch.


Author CollectionsReceived

DARK TALES & LIGHT by Bruce Boston, ISBN 1-888993-15-4, A5, 68pp, $6:95 from Dark Regions Press, P.O. Box 6301, Concord, CA 94524, USA. Ten dark and darkly humorous stories from a writer whose fiction has appeared in Amazing Stories, Asimov's SF Magazine, New Worlds, and Science Fiction Age to name but a few. The pieces here are all previously uncollected, and include honorable mentions from Year's Best Science Fiction and Year's Best Fantasy and Horror.

ENTROPIES AND ALIGNMENTS: POETRY IN UK SFANZINES – THE 1960s by Steve Sneyd (aka DATA DUMP #34/#35), ISBN 0-905262-20-4, A5, 8pp, £1:45/$3 (USA orders in cash or stamps of 50¢ or less) from Steve Sneyd, Hilltop Press, 4 Nowell Place, Almondbury, Huddersfield HD5 8PB. Continuing Steve's series of historical factsheets on genre poetry with this overview of poetry in British SF fanzines of the 1960s, which follows on from his previous work in Laying Siege to Tomorrow.


Submission GuidelinesReceived

DARK TERRAINS: ELECTRONIC PUBLISHING
Dark Terrains: Electronic Publishing will be a royalty paying publisher, launching early in 1999. Based in the United Kingdom, the company will offer novel and novella length works of horror and other dark fiction as downloads, as well as on disk.
   At present we are looking for four titles to release for the launch of the company, with further releases hitting the market bi-monthly after that. For the initial launch, we hope to have three full-length, original novels from a strong collection of authors. The fourth release will be a collection of four/five new novellas. Submissions/enquiries are welcome, in the formats detailed below. Make your work original and intelligent. Please – only submit your best. If you're not happy with it, we almost certainly won't be. Also, please only send us completed work. Our turnaround time is far faster than print publishers, and we don't want to sit around twiddling our thumbs while you finish your work!
   We buy first worldwide electronic rights to the work, and our contracts last for a full year (with an option for renewal). At present we are unable to offer an advance against royalties for novel length work, although our royalty rates are higher than those offered by traditional publishers. Novella submissions that make the grade will be offered an advance.
   All work should be in standard manuscript format; double-spaced, with a minimum one inch margin all round. We prefer work to be submitted in a serif font, such as Times New Roman.
   Novels: Send us the first three chapters, along with a synopsis. If we like it, we'll ask to see the complete work at a later point. We will consider anything between sixty and one hundred and twenty thousand words long. Shorter or longer works will be considered if exceptional.
   Novellas: Please send us the complete work. We will look at pieces between fifteen and thirty thousand words long.
   (Anthologies: Please approach in writing first. Outline the project, the contributors and any themes the work orientates around.)
   Cover Letters: Include one! Tell us who you are, a little of your writing related background, and anything you feel might interest us regarding the story. Be sure to include your snail mail and email addresses, home telephone number (and fax, if you have one) and an approximate word count for the piece.
   Deadlines and Reading Time: Reading time on novel submissions is 4-6 weeks for an initial submission, then a further 8-10 weeks on a full manuscript. There is no deadline for novel submissions. Novellas for the collection mentioned above will be selected by 12 December 1998, with replies being sent at this time.
   Formatting: We prefer to work with RTF formatted documents, but will also (grudgingly!) accept Word or WordPerfect. Submissions can be made via e-mail, to
rick.wright@dial.pipex.com. It is preferred that you send your work as an attachment, in one file. The address will be valid until the launch of the company, and it's online presence.
   Alternatively, you can submit via snail mail, to: Dark Terrains: Electronic Publishing, New Submissions, 429 Great Western Road 1/L, Glasgow G4 9JA, UK.
   Please send your submission on disk. If the work is too long for one disk, break it into two parts, labelling each disk carefully. Be sure to include an SAE, if you wish work to be returned.

PEEPING TOM
Send your stories to: David Bell, Editor, Peeping Tom, Yew Tree House, 15 Nottingham Road, Ashby de la Zouch, Leicestershire, LE65 1DJ, England (or e-mail
StuartHugh@aol.com if you reside outside the UK).
   Twice winner of the British Fantasy Award, Peeping Tom primarily publishes horror and dark fantasy, although fantasy, humour and science fiction will be considered. I am looking for stories with strong characters where the story line evolves naturally out of the characters and the situations they find themselves in. The truth is that I don't really know what sort of story I want until I read it. If your story has believable characters and is a good, entertaining read, I want to read it.
   If your story falls loosely into the horror/dark fantasy/science fiction or fantasy categories, please feel free to send it along. I am also keen to receive humorous submissions (I don't get anywhere near enough) so long as the humour evolves naturally out of the characters and the situations they find themselves in.
   1. Stories should be typed, double spaced on one side of A4 white paper, and must be accompanied by an SSAE of adequate size if you want a reply.
   2. Include your name, address and the word length of your story on the first page of your story, and include your pen name (if using one).
   3. Do not send your submission by recorded delivery. If you require confirmation of receipt, enclose another SSAE.
   4. If you reside in the UK then short stories should be submitted in the traditional (snail mail) way as 1 – 3 above.
   5. We would also prefer for contributors living outside the UK to submit stories in the traditional way, but will accept email submissions (one at a time only please) from non UK residents.
   6. Although your submission will be handled carefully, we cannot accept responsibility for any loss or damage.
   7. Length should be between 100 and 3,500 words. Longer stories of exceptional quality will be considered.
   8. Simultaneous submissions are acceptable, but please have the courtesy to inform us that your manuscript is being submitted elsewhere.
   9. We buy First British Serial Rights and pay approximately £2.50 per 1,000 words on publication. Copyright reverts to the author after one time use.
   10. We will consider reprints providing the story has not been previously published in the UK. Please include the story's full publishing history in your cover letter.
   11. All submissions are considered and selected for publication on their own merits. We do not object to multiple submissions, but please limit yourself to two or three stories at a time.
   12. Peeping Tom uses a panel of Assistant Editors. If your story is unsuitable for publication it will be returned promptly by an Assistant Editor – usually within six weeks – however if your story is recommended to the Editor then the selection process could take up to three months. Please be patient.
   13. When writing to Peeping Tom, the simple Golden Rule is: always enclose an SSAE if you want a reply.
   14. I regret that the Peeping Tom editorial team is unable to provide feedback on individual stories; however, we do offer subscribers free membership of Midnight Oil – a writer's postal forum which allows you to receive constructive feedback from other aspiring writers.
   The best way to discover the sort of stories I'm looking for is to read a copy of Peeping Tom. The magazine costs £8.00 [$24.00 USA] for a four-issue subscription and £2.25 [$7.00 USA] for a sample copy. Available from: Stuart Hughes, Publisher, Peeping Tom, 4 Pottery Close, Belper, Derbyshire DE56 0HU, UK. [NB: Americans please send payment in US dollars as this makes it easier for us to pay our American writers]. Please make cheques payable to "Peeping Tom". Enquiries either write to Stuart enclosing an SSAE or e-mail StuartHugh@aol.com.

Search

Resources

Chronological listing of back issues

Message Board

Polemic!